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Next year could bring a new perspective for Miley Cyrus, who shared in a discussion with The New York Times that she anticipates a “rebirth of how I view my career.”
When discussing her connection with mainstream success, Cyrus, who recently launched her ninth studio album, Something Beautiful, elaborated on her artistic vision for the future.
“My attachment to mainstream success is fading,” Cyrus expressed in the video interview released on Saturday, May 31. (A condensed version can be found on the outlet’s site.)
“This album isn’t a ‘last lap’ — I’m not necessarily pivoting my career dramatically right now — but it might be the last time I approach it this way,” she mentioned.
The artist revealed Something Beautiful back in March, giving fans a sneak peek with the album track “Prelude” and its title song. She’s followed up with two additional singles, “End of the World” and “More to Lose.” Just before the album premiere, she performed at a private concert hosted by TikTok at the Chateau Marmont in Los Angeles. A film linked to the album is also on the way, set to be shown in theaters for one night only on June 12 across the United States and Canada, with an international release on June 27.
Cyrus — whose last full-length album, 2023’s Endless Summer Vacation, peaked at No. 3 on the Billboard 200 — commented, “I’m placing a huge bet on this one [Something Beautiful]. I’m fully committed. But I don’t intend to inflict this kind of pressure on myself again.”
“Many changes will occur for me as the year progresses and as we enter next year. That’s my aim, to use this year to gradually reshape my self-concept. There’s a track on the album called ‘Reborn,’ and it encapsulates this feeling. I anticipate next year will be a sort of rebirth in how I operate and view my career,” Cyrus reflected.
The discussion lasted nearly an hour, encompassing Cyrus’ in-person interview and a follow-up call. Topics varied widely, including her current relationships with both parents (Tish and Billy Ray Cyrus), her future thoughts on parenthood, her experiences with E.M.D.R. therapy, the challenges of growing up as a child star, and the significance of finally winning her first Grammy (for “Flowers,” in 2024). The conversation also touched on her relationships with fellow female pop artists.
“I find the dynamic between female pop stars quite fascinating and often complex,” Garcia-Navarro suggested, to which Cyrus humorously responded: “Divas.”
“Is that your perspective on it?” she asked Cyrus.
“Perhaps from my side,” the singer admitted, clarifying, “I don’t mind the title diva. Maybe I am a bit of a diva.”
Cyrus expanded, “It’s actually quite cool. It’s a fantasy. Being a diva doesn’t require fame — just embody the essence. Diva doesn’t equate to being difficult without reason.” When asked if she considers herself difficult, she quipped: “I’m difficult, but not for no good reason.”
The interviewer continued, “You’ve expressed feeling disconnected from the other singers of your generation… You’ve distinguished yourself in a certain manner.” She inquired why Cyrus felt that way.
“I don’t believe it’s a conscious decision,” Cyrus replied. “My public persona may feel ‘on’ all the time, but in private, I’m very much ‘off.’ I prefer no makeup and a messy bun. I don’t even glance in the mirror during my downtime.”
“It’s not that I haven’t found it,” she clarified. “I simply haven’t searched too hard. I’m sure girls in my circle might think, ‘Hey, that’s applicable to me, but you haven’t reached out.’ And they’re right… I enjoy balancing both worlds.”
Cyrus compared her life to that of her teenage character, Hannah Montana.
“Perhaps it stems subconsciously from the show, like Hannah Montana, where I believe my public self lives one life and my personal self lives another. I think it has unconsciously conditioned me — without exaggeration — to see my home identity and performer identity as two distinct personas, and indeed they are,” she explained.
In other parts of the conversation, the former Disney star expressed her thoughts on the younger generation of pop stars, such as Sabrina Carpenter, whom she has met and sometimes feels concerned about due to the intense schedule the “Espresso” artist maintains. “Every time I see her, I’m compelled to ask if she’s doing alright. I notice she’s performing in Ireland one day and flying to a show in Kansas the next. I struggle to comprehend how that can be sustainably okay,” Cyrus remarked. “I know what it feels like to drain yourself, and I wouldn’t wish that on anyone. But I genuinely appreciate all the new artists; they each possess their own unique qualities and sound.”
Check out her full interview with the New York Times in the video below.
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